Sounds better than it looks

I've discovered a new genre of movie: the film that exists only to create the cool soundtrack. Like Elizabethtown and The Last Kiss before it, the best part of Catch and Release is the soundtrack. (Okay, that and my man Kevin.) Suddenly, I'm in love with What If You and just about every other track. I think I'm deep into some weird, mellow melancholy vibe these days. Good times.